REVIEWS
Silvo/Pasquin
Dr Miracle (Bizet)
WEXFORD OPERA FESTIVAL
Silvio was played by tenor Guy Elliott, who moved easily between his disguises and whose larger-than-life characterizations did much to ensure the work’s success… His singing was very expressive, always with an eye to eliciting an extra laugh.
- OperaWire
"Elliott was a pugilistic Pasquin and relished the physical theatre; he threw himself over sofas and tables with aplomb, and his tenor was no less agile."
- Claire Seymore in Opera Today
Sailor
Dido and Aeneas (Purcell)
FESTIVAL MONASTERY CONCERT MAULBRONN
"Vocally outstanding"
- Mühlacker Tagblatt
"A deliciously fresh timbre was brought by London Tenor, Guy Elliott"
- Pforzheimer Zeitung
Prince Philippe
The Dinner Engagement (Berkeley)
ROYAL COLLEGE OF MUSIC
"...you also sigh when you hear Guy Elliott’s elegant tenor rising to the occasion as Susan’s handsome Prince and the Dunmows’ saviour. Elliott leaves you in no doubt that he has the nearest thing to a show-stopping aria."
- Classical Source
Lysander
A Midsummer Night’s Dream (Britten)
"Guy Elliott gives a smooth, confident performance as an attractive Lysander, his tenor seemingly custom-designed for Britten, articulating and projecting with perfect clarity"
- Bachtrack
Twink
Boys of Paradise (Salorian)
Tête à tête
"Twink [was] sung heartbreakingly by Guy Elliott"
- Schmopera