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    <loc>https://www.guyelliott.co.uk/home</loc>
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    <lastmod>2024-10-10</lastmod>
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      <image:title>Home - “Guy Elliott, a profoundly expressive young tenor, shone later in Beethoven’s cycle An die ferne Geliebte, a structural influence on the new work. His voice is superb and alluring, and his diction and interpretation are magnificent.” Church Times</image:title>
      <image:caption>Upcoming: Trouble in Tahiti + A Quiet Place Bernstein Royal Opera House, Covent Garden Linbury Theatre 10–24 October 2024 Primrose Hill Opera Cabaret St. Mary’s Primrose Hill 13th October 2024 Oxford International Song Festival “Over the Piano’ - song recital with Roger Vignoles Holywell Music Room 23rd October 2024 The Creation Haydn Christ’s Hospital Choral Society 16th November 2024 Messiah Handel Wild Arts - UK Tour 2nd - 19th December 2024 Hercules Handel Opera Fuoco / Namur Festival 5th December 2024</image:caption>
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    <loc>https://www.guyelliott.co.uk/about</loc>
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    <lastmod>2024-10-10</lastmod>
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    <loc>https://www.guyelliott.co.uk/reviews</loc>
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    <lastmod>2024-10-10</lastmod>
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      <image:title>Reviews - Oxford International Song Festival</image:title>
      <image:caption>“Guy Elliott, a profoundly expressive young tenor, shone later in Beethoven’s cycle An die ferne Geliebte, a structural influence on the new work. His voice is superb and alluring, and his diction and interpretation are magnificent.” - Church Times</image:caption>
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      <image:title>Reviews - Twink Boys of Paradise (Salorian) Tête à tête</image:title>
      <image:caption>"Twink [was] sung heartbreakingly by Guy Elliott" - Schmopera</image:caption>
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      <image:title>Reviews - Silvo/Pasquin Dr Miracle (Bizet) WEXFORD OPERA FESTIVAL</image:title>
      <image:caption>Silvio was played by tenor Guy Elliott, who moved easily between his disguises and whose larger-than-life characterizations did much to ensure the work’s success… His singing was very expressive, always with an eye to eliciting an extra laugh. - OperaWire "Elliott was a pugilistic Pasquin and relished the physical theatre; he threw himself over sofas and tables with aplomb, and his tenor was no less agile." - Claire Seymore in Opera Today</image:caption>
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      <image:title>Reviews - Sailor Dido and Aeneas (Purcell) FESTIVAL MONASTERY CONCERT MAULBRONN</image:title>
      <image:caption>"Vocally outstanding"  - Mühlacker Tagblatt "A deliciously fresh timbre was brought by London Tenor, Guy Elliott" - Pforzheimer Zeitung</image:caption>
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      <image:title>Reviews - Lysander A Midsummer Night’s Dream (Britten)</image:title>
      <image:caption>"Guy Elliott gives a smooth, confident performance as an attractive Lysander, his tenor seemingly custom-designed for Britten, articulating and projecting with perfect clarity"   - Bachtrack</image:caption>
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      <image:title>Reviews - Prince Philippe The Dinner Engagement (Berkeley) ROYAL COLLEGE OF MUSIC</image:title>
      <image:caption>"...you also sigh when you hear Guy Elliott’s elegant tenor rising to the occasion as Susan’s handsome Prince and the Dunmows’ saviour. Elliott leaves you in no doubt that he has the nearest thing to a show-stopping aria." - Classical Source</image:caption>
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    <lastmod>2021-09-29</lastmod>
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    <lastmod>2020-12-16</lastmod>
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    <lastmod>2020-12-15</lastmod>
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